webweaver
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A site that looks sharp next to a menu made in Word, a van with the old logo on it and a deck built from a free template does not read as one business. It reads as a business that is trying. We make everything else from the same rules as the website, including the pictures, which we generate and art direct ourselves rather than buying from a stock library everybody else is buying from.
Taken on its own or alongside a build. Most of it costs less than people expect, because the rules are already written by the time we start.
A logo and the rules that keep it from drifting: type, colour, spacing, how it behaves at the size of a favicon and the size of a van. If you already have a brand we work inside it and tidy what has slipped. If you do not, you get one you can hand to anybody.
Brochures, menus, flyers, business cards, packaging, signage, vehicle graphics, exhibition stands. Supplied print-ready to the specification your printer asks for, so nobody sends it back.
Templates your team can actually use, sized for each platform, so posts look like they came from the same business two years running. Plus the one-off campaign pieces that need to look like more effort than a template.
Pitch decks, proposals, reports, letterheads, quote and invoice templates. The documents a client judges you by before they have met you, built so filling them in does not wreck the design.
Stock photography is the fastest way to look like your competitors, because they are shopping in the same library. A photoshoot solves that and costs a photographer, a studio, a day and a rebook when the weather turns. There is now a third option, and it is the one we use: images generated and art directed in house, built to your brand, delivered in days rather than weeks. Six of the ways we use it, and the kind of business each one suits.
Imagery is a service in its own right, not something bundled into a build. A set is scoped around where the images will be used, art directed against your brand, and delivered web-ready and print-ready with the working files. Quoted per set once we know how many and what for, the same way the rest of the specialist work is priced. Existing clients usually start with six.
The difference between a set and a pile of pictures is that a set was planned. Four steps, and you see it before it is finished.
If it is your actual product, your building or your dish, we work from your photographs so the thing in the image is the thing you sell, not an approximation of it.
One lighting setup, one palette, one lens, agreed before we generate six of anything. This is the step that makes a set look like a set.
Several versions of each, narrowed down by us rather than handed to you as a folder of ninety files to wade through.
Retouched, cropped for each place it is going, exported at the right size and weight for the web so your page stays fast, and supplied with print resolution where you need it.
Some of this we do not do in house, and we would rather say so than pretend. For the work below we have partner studios we trust, and we write the brief, manage it and keep the output on brand, so you are dealing with one supplier rather than five.
Short campaign and social pieces, product motion and ambient loops for a website hero, produced to the same look as your stills.
An on-screen presenter and voiceover for explainers, training and social, without booking a studio or a crew.
Consistent people for lifestyle and product imagery, held to the same face and styling across a whole campaign.
Where a brand needs its own product or style reproduced reliably, a model trained on your own references rather than a generic one.
Where the movement belongs on the website rather than in a video file, we animate the stills in the page itself, which loads faster and never pixelates.
You describe what you want once. We handle the studio, the revisions and the delivery, and you approve the result.
We will not pass a generated image off as a photograph of your actual premises, your actual team or a job you have not done, and we will not put a real brand, product or person into an image without the right to use them. It is not squeamishness, it is that the first customer who turns up expecting the room in the picture costs you more than the photoshoot would have. Where an image is illustrative we make sure it reads as illustrative.
Describe the job in your own words. You will get a straight answer on whether it is worth building, what it would involve, and roughly what size of project it is, usually within one working day.